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MOZART BY ITS RIGHTFUL NAME A Mozart mystery has been solved at last. So says the musicologist Michael Lorenz, an expert on the Viennese music of the late 18th and early 19th centuries, and the proof of the pudding will be served on Thursday in Vienna when the pianist Robert Levin sits down to join Sir Roger Norrington and the Radio Symphony Orchestra Stuttgart to play Mozart's piano concerto in E-flat (K. 271) for the first time under its proper name. For more than a century, Dr. Lorenz says, the identity of the French pianist for whom the young Mozart, above, wrote the piece has baffled Mozart scholars, and the work has been known as the "Jeunehomme" Concerto. Dr. Lorenz says that jeune homme, or young man, a reference to Mozart, was the name given to it by a pair of French scholars in a 1912 biography because they couldn't identify the woman for whom he actually wrote it. After that, he says, scholars refrained from further research. Mozart, in a letter to his father, Leopold, after finishing the concerto in January 1777, referred to the pianist as "jenomy," and Leopold referred to her as "Madame genomai." Dr. Lorenz says the mystery woman was actually Victoire Jenamy, a daughter of Jean George Noverre, a famous dancer who was one of Mozart's best friends. Dr. Lorenz says a bit of research in the City Archive of Vienna last year established that Victoire was an excellent pianist, and it was she who commissioned the concerto in Vienna in 1776. Adieu Jeunehomme. Enter, for the first time, the "Jenamy" Concerto.
C'est rien et tout nassour
si tu étais à Alger je t'inviterais avec les petits et grands frères parents soeurs copines et copains et neveux, nièces jiranes et autres pour partager un bon couscous
Au diable ce que pourraient penser les petits cons
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